Rachel Ormont is a dystopian techno-satire / psychological horror about a woman who unknowingly grows up in captivity working for an advertising agency. What started as a cult hit within NYC's Dimes Square scene has exploded into a genuine phenomenon across the U.S. and internationally. The film just wrapped a road show across 8 countries with consistent sell-outs, standing ovations, and wildly engaged post-screening Q&As. Audience reactions are polarized in the best way: people either give it one star or five stars, which has fueled incredible word-of-mouth, repeat viewings, and organic online buzz and TONS of fans from AU and NZ reaching out to our director directly on social media. Artforum named it Best Movie of the Year. Lumiere Cinema ranked it as the seventh most popular film in Los Angeles, ahead of Anora and The Substance. It's been called "the defining film of the 2020s," "The Holy Mountain for iPad Kids," and "2001: A Space Odyssey for people who've only interacted with humans through TikTok Shop." All of this happened with zero paid marketing, including fan-run meme pages, edits, and sustained online engagement.